April 12, 2009
Wanderlust leads to life as 'corporate soldier of fortune'
Chip Ellis
Not the type of corporate executive for a coat and tie, casually dressed CEO Larry Dent takes a break at Roane County Family Health Care Inc., the Spencer clinic he rescued as a kind of itinerant interim-management specialist.
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He's probably best known as an accomplished old-time fiddle player, but that's just one side of Larry Dent's unconventional, unpredictable lifestyle. (No wonder he didn't last as a lawyer.)

He sees himself as an adventurer, "a corporate soldier of fortune."

An Arkansas native with a knack for management, he swoops in on sick companies, gets them on their feet and moves on to the next patient. Between cases, he likes a break.

One hiatus covered 10 years, a music-dominated, whatever-whenever decade that ended when the money ran out.

At the moment, he's CEO of Roane County Family Health Care in Spencer, one of the businesses he brought back from the dead. Two more years on his contract and he's off to South America and Bulgaria with the artist wife waiting for him in Miami.

At 69, he hopes his episodic life has a few more installments to go.

"I was born and raised in Bay, Arkansas, about 50 miles west of Memphis. I had the distinction of seeing Elvis Presley in person in 1956 in Bono, Arkansas, sitting on a high school gym floor. He was on the same show with Johnny Cash. I think we paid 50 cents to get in and we thought that was too much.

"My father was superintendent of a consolidated school. Bay had about 50 people. When he went there in 1926, they were using covered wagons for school buses. This was cotton country, the flat lands of Arkansas. My grandmother lived out at Bono. We hitched up a team of mules to go to church every Sunday morning. It took us almost two hours to get there and two hours to get home.

"My mother was a concert pianist, conservatory trained. She thought old-time music like I play was pure trash. So I was kind of a closet fiddle player. I started out playing piano at her insistence, then took violin lessons from Arkansas State University and played with a community symphony in high school. I converted pretty quick to old-time fiddle music.

"I lived through Little Rock in 1956, when Eisenhower nationalized the Arkansas National Guard, but the first we lived through was Hoxie, Arkansas. It was very visceral. The hatred really boiled up when they integrated the Hoxie school district.

"I grew up in era when there were 'colored' water fountains. I had a very good friend in Pine Bluff, Arkansas, who was a black physician, a pediatrician.

He treated every kid that came to him, and yet he couldn't eat breakfast in Pine Bluff.

"I was raised by a black woman, a maid in our house. I picked cotton as a kid with a lot of blacks. That's where I really got into music. Those guys would sing those spirituals all day in the cotton fields. I remember going to Memphis as a kid and listening to the blues on Beale Street. That's where I got my musical heritage.

"I wanted to be a pilot. I would go to my grandmother's farm and right in front was an old World War II training field. I would lie in the grass and watch the old P-6s land and bounce. When I went to sign up for ROTC at Washington University, the Air Force recruiter gave me a long spiel about how only a few in the Air Force actually flew. I wanted to make sure I got commissioned, so I went with the Army. I was on active duty for two years. I learned how to fly on my own. I've been a pilot since about 1961.

"After I got out of the Army in '64, I wanted to get an MBA. Washington University didn't offer a night MBA program, and I had to work, so I went to night law school. I practiced a couple years and hated it. I've got wanderlust. Law was just too restrictive. I ended up getting a job with the Corps of Engineers, taking care of titles when they were buying up all this land for the basin project.

"I took my fiddle and I would find old fiddle players out in the country. I was part of the original Missouri Friends of the Folk Arts, and we got a $10,000 grant and did a two-record album on old fiddle players.

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